I would say that I have just finished watching this rather mindblowing television series, but I wanted to at least watch the original movie, and then the rather disappointing sequel before I started writing down my thoughts. Also, watching a couple of youtube videos also helped a bit with coming through with some thoughts, however as I look at the last of the ten episodes, I have to admit that I struggle to see where they can go to from there, and whether they can actually surpass what we have already seen. In any case, if you haven’t already watched the series then I recommend that you do, especially if you are a fan of the original film before you continue any further because even though I will attempt not to spoil anything (namely because there are some awesome twists), I can’t say that I won’t ruin the experience with this post, particularly since I am exploring some of the themes.
When I was in London last year I had the opportunity to see a play that generally isn’t performed all that much here in Australia, but… Read more “The Alchemist – The Art of the Con”
Normally I wouldn’t waste my time writing a blog post about a bad, or series of bad, movies, but for some reason, I feel that maybe I should write something about the idea of the dystopia since I have just wasted about nine hours of my life watching the four Hunger Games movies. Anyway, I won’t actually write about what I thought of the films namely because I have already done so on IMDB, and I will include links to the reviews at the bottom of this post, however, I do wish to explore the idea of the dystopia in general, and have a glance to some of the recent series of movies (which have come out of books mind you) that explore this idea. Mind you, a part of me does want to hold off a bit so that I can watch Brazil again, but I suspect I’ll have plenty to write about that particular movie when I get around to it.
The annoying thing about my trip to the Leibeighaus (which happens to be the home of Frankfurt’s Sculpture museum) is that I didn’t end up seeing any of the permanent sculptures. Mind you, they did have a major exhibition here, and I didn’t actually make any effort to go and look for the permanent collection, and it wasn’t until afterwards that I discovered that there was more to this museum than the exhibition that I ended up seeing (actually, now that I found the photos, I realised that I did see the permanent exhibition). Mind you, it isn’t a huge collection and the only reason that people go to the museum is to see one of the temporary exhibitions – but then again that is the main drawcard for most museums, though the other drawcard is the tourists (and it can be annoying when you travel all the way to Europe only to discover that all of the Renoirs are out on loan).
It is difficult to pinpoint what the most influential invention that has ever been developed actually is, though Gutenberg’s movable type printing press is certainly up there. No doubt the inventions that have been the most influential tend to be the oldest, such as the domestication of animals, farming, the wheel, and of course the alphabet, and anybody who has played Sid Meyer’s Civilisation will no doubt be familiar with the technology tree, that is that technological developments come about from earlier developments, which in turn come from even earlier ones.
Apart of me felt that it was a little ironic, with all the furore over Brexit, that this play was being performed by the Royal Shakespeare company around this time. Mind you, unless they had a crystal ball, I have a feeling that it may have been a coincidence that Cymbeline was being staged, though we must remember that Brexit didn’t happen in a vacuum, and there was a huge debate over Britain’s role in the EU and the European community in the lead up not only to the referendum but also the general election of 2015. The thing is that one of the major themes of the play, and it as just as important back when it was first performed as it is now, is the role of Britain in Europe, and how much influence should Europe have over British (or more precisely English) sovereignty.
Banksy certainly does raise a question as to where you draw a line between art and vandalism, but then the whole modern (or should I say contemporary) art movement that has swept the world theoretically suggests that smashing up a car (that doesn’t happen to be yours) with a sledgehammer could quite well be considered art. It could also be considered a criminal offence, and I doubt that the defence of “I’m just expressing my artistic ability” would work with any judge. Yet isn’t this what graffiti basically is – defacing somebody else’s property? Yet what if that property is public property, and what if the mural that is appearing on that property is actually really good – does it become art, and does the artist escape criminal sanction because they have created a work of art?
One of the places that I ended up visiting in Frankfurt was the Goethe House, and while a part of me wants to simply write about the house (particularly since the website is actually pretty detailed), I will either leave that for my travel blog, or another post in this blog at another time. However, what I will say is that the house itself is quite large, comprising of four floors, all of them packed full of Goethe related material, and lots and lots of artwork (though he wasn’t much of painter, rather the paintings were from his father’s collection). Next door, well not so much next door because it is actually a part of the museum, is another gallery of paintings by Goethe’s contemporaries. Actually, the staff were pretty keen on me going in and having a look, which is what I eventually did.
I’m not really sure if the four paintings that I have posted in the title are strictly caricatures, but they were on display at the Caricature museum in Frankfurt (which in German is the Museum für Komische Kunst) so I guess they should fall into the category of Caricature (because why would a caricature museum have such paintings on display if they were not caricatures). Anyway, I visited the museum the first night I was in Frankfurt and what was cool was that the concierge suggested that I come back at 8:00 pm (the museum closed at 9:00 pm) because then I would get in for half price – which is what I ended up doing, and while I was waiting I headed off to a pub that happened to be nearby (which was the plan all along, and fortunately for me, daylight saving in Europe stretches out to beyond 9:00 pm).
Well, it seems that within a period of two months I have managed to see Richard II twice, the first was a DVD that I had ordered of the Royal Shakespeare Company production starring David Tennant, and the second one being a production by the Globe Theatre. Actually, I had no idea that the Globe version was going to be showing at one of the local (or not so local as the case may be because it did take an hour and a half, by train, to get from my home to the cinema) cinemas when I watched the DVD a little while back, though as I have mentioned in my previous post (though having a look at the date that it was posted – 5th May – I’d probably be more accurate in suggesting that I watched it quite some time ago), the lack of good plays in Australia means that I am more than willing to make the trek to see another version.