My original plan was to publish this post on the 23rd of April, which was the 400 year anniversary of Shakespeare’s death. However, due to slackness on my part (and also my failure to actually do any research into the exact date) that unfortunately has not happened. Anyway, it was fitting that if there is one play that I would write about for the belated 400-year commemoration post it should be King Lear since it is probably my favourite of all Shakesperian plays (at least among the tragedies).
I remember when I first read this play and I was actually rather shocked and appalled. In fact, if there are any of Shakespeare’s plays that are going to rub up against the grain of our modern society then it is certainly going to be this one – the reason being that the whole plot is about how a husband figuratively beats his wife into submission. Sure, his wife is definitely one nasty piece of work, but the thing is, living in a world where more women are killed by their husbands/partners in domestic violence situations than terrorist attacks (at least in developed countries) one wonders why such a play is still staged, and one also wonders why I actually sat down and spent three hours watching it.
I’ve probably mentioned this before but a friend of mine has suggested that the problem with Australian theatre is that it is basically rubbish. Okay, if that is the case then that is a really big problem, but a part of me feels as if I am becoming somewhat influenced by him. My problem is that Australian theatre tries to be so different that it ends up failing as good theatre. Sure, there are probably some good theatre companies, as there are probably some good playwrights, but the more that I am exposed to international theatre through National Theatre Live, the more that I begin to understand what he means by good theatre. In fact, it is probably a good thing that they ended up showing a version of As You Like It because I had recently seen another performance of it (which I have already written a blog post on) and it has given me the opportunity to be able to compare both of them. I have to admit that the version that I saw performed live in Melbourne was actually a little dry, whereas this version seemed to be much more dynamic.
One of the things that I don’t like about seeing plays while I am away is that I don’t always get a chance to sit down and write about them while they are still fresh in my mind. In fact that makes it even more difficult, considering all of the experiences that I’d encounter while wandering around the place means that I inevitably land up with so much in my head that it pushes the experience further back, and it is not until I have returned to my comfort zone (or my writing zone as I should say) am I able to think more about it. Then again, that isn’t going to happen for at least a month, so while I am sitting on the train heading out to the Sunshine Coast, I probably should take the time to actually write about the third play that I saw – Merchant of Venice.
I was going to open by saying that I am quite particular with regards to the musicals that I end up going to see, but when I come to think about it I am generally particular about most things (with the exception of pubs – there are very few pubs, and restaurants, that I wouldn’t visit at least once). I guess I don’t want to waste my time reading a book that is of no interest to me, or spending the money to go and see a play (or a movie) that I suspect that I am not going to like. Mind you, I guess that means that I am not opening myself up to new opportunities, but once again there is the time, and the money, factor (and the theatre is actually quite expensive – at least here in Melbourne).
While not one of Shakespeare’s more popular plays, I have now seen a couple of productions of it, even if one of the productions is actually a movie. Okay, a theatrical production and a movie are two completely different things, and sometimes I find that I tend to be drawn towards one medium more than the other, and unfortunately, in the case of Coriolanus, I have found myself attracted to the film. I guess one of the main reasons is that with film the scope can be much larger while the play tends to be quite limited in what you are able to do. Secondly, the film version of Coriolanus had machine guns and tanks (and I have to say that I love Shakespeare with machine guns and tanks). Anyway, here is the trailer for the film (simply because I have to include it in this post):
Well, in the space of a couple of days I have gone from one of Shakespeare’s earlier plays to one of his more complex, and detailed plays.… Read more “Chaos in the Forest – A Midsummer Night’s Dream”
After missing out on Antov Chekov’s The Cherry Orchid by a matter of two days, and also passing up on Arthur Miller’s The Crucible, this year I… Read more “It is Finished – Samuel Beckett’s Endgame”
Okay, this may not be the first Bernard Shaw play that I have seen performed, however the previous one, Man and Superman, was a performance by the National Theatre that was filmed and then distributed to various cinemas around the world. Okay, while it may not have been live, it was close enough, and seeing Ralph Fiennes performing on stage was an experience to say the least.
Well, this year the Bell Shakespeare Company decided to put on a performance of Hamlet, quite possibly because it is one of Shakespeare’s most popular plays. This sort of baffles me though because Hamlet happens to be one of those plays that school kids have to put up with studying, and we all know the story about books that we are forced to study in school – they are hated.