It is been over a year since I have returned from Europe and I realised that I haven’t yet written about Macbeth. Actually, there are quite a lot of things that I have been meaning to write about, both on this blog and on my travel blog, that I simply haven’t got around to doing just yet. I guess a part of it is because there is an awful lot of stuff that I could write about, and also with work and with other things that have got in the way, the amount that I have been able to write has been limited. However, of late I have only intended to post one post a week (and one post a fortnight on my travel blog), and there has been plenty of stuff for me to post that I guess letting a number of things drift isn’t all that bad. However, I did see Macbeth, and I should at least put some time aside to write about it.
Dracula – Rise of the Vampire Craze
We recently finished reading Dracula at our bookclub, and while I have already written a review on the book, I felt that not only was there much more I could say, but I simply cannot leave the book at simply the book because of the huge amount of influence that it has had on our society. For instance, people have said that after reading the book as young person they so fell in love with it that they ended up carrying it everywhere and regularly consulting it (I have a problem – what will Dracula do?). Well, I’m actually not all that sure whether Dracula can be considered a practical guide to life in the way that the Bible is, but also I am not surprised that there are such reactions to the book.
His Pound of Flesh – The Merchant of Venice
As I was sitting in the theatre watching this play a part of me was wondering if there is actually much more that I could write about this play than the obvious – racism, feminism, and maybe homosexuality. In a way these three aspects seem to dominate the Merchant of Venice, with some critics simply writing it off as some anti-semetic rant of Shakespeare’s. In a way I can understand why people see it that way because our Jewish anti-hero does come across as vengeful, greedy, and quite unforgiving.
Book of Mormon – A Question of Faith
After seeing Cats I thought that I had seen all of the musicals that I wanted to see (with maybe the exception of Jesus Christ Superstar, though I don’t really have any huge desire to see Phantom on the Opera, though some Gilbert and Sullivan might be a goer). However, one day last year I discovered that they were advertising The Book of Mormon on the trams, and a part of me suspected that it was coming to Melbourne. Well, it was, but ironically they had started advertising the musical a year in advance, which quite surprised me because I didn’t expect that it would need such a long period of advertising, that is until I asked a friend who pointed out that the show is incredibly popular, and you simply can’t walk into the theatre and buy your tickets because the shows end up being booked months in advance. As it turned out this was the case here in Australia – well, not quite, but the show that I saw had sold out.
Saint Joan – Europe’s Turning Point
It seems as if there is a resurgence of interest in the plays of George Bernard Shaw, though when I say resurgence I am referring to having seen three plays of his over the past three years, which is significant because I pretty much haven’t seen any of his plays previously. That probably has a lot to do with not actually knowing about him, or having any appreciation of his work prior to purchasing a copy of Pygmalion and proceeding to read it. The other problem is that the lack of options when it comes to theatre in Australia, but then again it does teach me to keep my eyes open. However, the stage on screen series that are now being played at various cinemas around Australia helps a lot as well. So, when I discovered that Saint Joan was going to be one of the films shown I took the day off work, made my way down to the Palace Brighton Bay, and began to treat myself to another play that I am not expecting to see again any time soon.
Shakesperian Connundrums – or are They?
I’ve just finished reading a book, Henry V, War Criminal and Other Shakespearian Puzzles, which explores a number of puzzles, and apparent contradictions, in some (or in fact most) of Shakespeare’s plays. I guess when you happen to be this hugely famous author any little mistake, or apparent mistake, is suddenly scrutinised extensively, and debated over by academics of all stripes. Then we have somebody like Shakespeare, who in many cases is viewed as not just one of, but the greatest, writer that the English language has ever produced, and we are speaking of a language that has produced countless numbers of great writers. However while writers such as Charles Dickens can produce a love/hate relationship, Shakespeare seems to be loved by all (except for those high school students who are forced to study his plays).
The Alchemist – The Art of the Con
When I was in London last year I had the opportunity to see a play that generally isn’t performed all that much here in Australia, but… Read more “The Alchemist – The Art of the Con”
Cymbeline – Back to Britannia
Apart of me felt that it was a little ironic, with all the furore over Brexit, that this play was being performed by the Royal Shakespeare company around this time. Mind you, unless they had a crystal ball, I have a feeling that it may have been a coincidence that Cymbeline was being staged, though we must remember that Brexit didn’t happen in a vacuum, and there was a huge debate over Britain’s role in the EU and the European community in the lead up not only to the referendum but also the general election of 2015. The thing is that one of the major themes of the play, and it as just as important back when it was first performed as it is now, is the role of Britain in Europe, and how much influence should Europe have over British (or more precisely English) sovereignty.
Richard II – A King Without Friends
Well, it seems that within a period of two months I have managed to see Richard II twice, the first was a DVD that I had ordered of the Royal Shakespeare Company production starring David Tennant, and the second one being a production by the Globe Theatre. Actually, I had no idea that the Globe version was going to be showing at one of the local (or not so local as the case may be because it did take an hour and a half, by train, to get from my home to the cinema) cinemas when I watched the DVD a little while back, though as I have mentioned in my previous post (though having a look at the date that it was posted – 5th May – I’d probably be more accurate in suggesting that I watched it quite some time ago), the lack of good plays in Australia means that I am more than willing to make the trek to see another version.
Ajax in Iraq
While I have been to a few shows at the Adelaide Fringe Festival, in my mind it is more of a two-week party than a showcase of theatrical performances that are generally not picked up by the mainstream theatre (or are simply so amateurish that the mainstream won’t touch them). From what I recall of my time in Adelaide the Fringe basically consisted of an opening parade, the Garden of Unearthly Delights which was little more than a number of bars, a Ferris wheel, and tents where you will encounter the weird and wonderful. Mind you, as the Fringe has grown in popularity, so have the number of areas that are attempting to mimic the Garden of Unearthly Delights.