We recently finished reading Dracula at our bookclub, and while I have already written a review on the book, I felt that not only was there much more I could say, but I simply cannot leave the book at simply the book because of the huge amount of influence that it has had on our society. For instance, people have said that after reading the book as young person they so fell in love with it that they ended up carrying it everywhere and regularly consulting it (I have a problem – what will Dracula do?). Well, I’m actually not all that sure whether Dracula can be considered a practical guide to life in the way that the Bible is, but also I am not surprised that there are such reactions to the book.
I should start off by saying that it is a real shame that this film flopped as badly as it did namely because not only do I tend to quite enjoy films by Guy Ritchie, but he also has this ability of adding his own personality into his productions. While his first forays into the world of mainstream cinema tended to be stories that he had created, of late he has been exploring more popular topics, in particular Sherlock Holmes. In fact his portrayal of everybody’s favourite Consulting Detective was the impetus for me actually going back to the original works to see what they were like. However, I will leave any further comment on Sherlock Holmes for another day as today it is King Arthur’s turn.
Apart of me felt that it was a little ironic, with all the furore over Brexit, that this play was being performed by the Royal Shakespeare company around this time. Mind you, unless they had a crystal ball, I have a feeling that it may have been a coincidence that Cymbeline was being staged, though we must remember that Brexit didn’t happen in a vacuum, and there was a huge debate over Britain’s role in the EU and the European community in the lead up not only to the referendum but also the general election of 2015. The thing is that one of the major themes of the play, and it as just as important back when it was first performed as it is now, is the role of Britain in Europe, and how much influence should Europe have over British (or more precisely English) sovereignty.
I was sitting outside a coffee shop in Melbourne one morning and a tram trundled past advertising a production of the Sophoclean play Antigone. Knowing that Melbourne trams have the really bad habit of advertising plays that have long since finished I jumped onto the internet and to my absolute delight discovered that it had yet to begin. I have only ever seen one Ancient Greek play performed in my life and that was an amateur production (though it wasn’t all that bad – its just that amateur productions tend to be a little different – the actors wander amongst the audience beforehand practising their lines), so I decided to immediately book my tickets.
Originally I was going to incorporate some thoughts on the recent Aronofsky film Noah in this post, but I ended up dedicating an entire post to that… Read more “Prometheus and the Quest for Fire”