Once again I was watching one of those really informative videos on the Alternate History Channel (and I will embed the video, as I usually do, below) and it fueled my imagination – this time in regards to the Russian Revolution. However, as I was thinking about how I would tackle this I suddenly realised that so many different things could have happened that would have had a significant effect upon the way the modern world would turn out, it is difficult to simply take just one path.
While not one of Shakespeare’s more popular plays, I have now seen a couple of productions of it, even if one of the productions is actually a movie. Okay, a theatrical production and a movie are two completely different things, and sometimes I find that I tend to be drawn towards one medium more than the other, and unfortunately, in the case of Coriolanus, I have found myself attracted to the film. I guess one of the main reasons is that with film the scope can be much larger while the play tends to be quite limited in what you are able to do. Secondly, the film version of Coriolanus had machine guns and tanks (and I have to say that I love Shakespeare with machine guns and tanks). Anyway, here is the trailer for the film (simply because I have to include it in this post):
I’ve just finished reading a book on the French Revolution of the Napoleonic Wars entitled Revolutionary Europe 1785 – 1815 (and you can also read my review of the book here, namely because I discuss, albeit briefly, some ideas that I won’t be talking about in this post). Anyway, I have to say that the author, George Rude, seemed to gloss over a number of important events, one of them being the Battle of Austerlitz. In fact this is what he says:
(Czar) Alexander, who had taken command of the Austro-Russian forces, fancied himself as a commander and was easily persuaded by an incompetent chief-of-staff that Napoleon was in a weak position and could be defeated. Infatuated with the prospect, he let himself be lured to the village of Austerlitz in Moravia, where Napoleon, in the most decisive of his victories, cut his army in two and inflicted a loss of 27,000 men.
I was sitting outside a coffee shop in Melbourne one morning and a tram trundled past advertising a production of the Sophoclean play Antigone. Knowing that Melbourne trams have the really bad habit of advertising plays that have long since finished I jumped onto the internet and to my absolute delight discovered that it had yet to begin. I have only ever seen one Ancient Greek play performed in my life and that was an amateur production (though it wasn’t all that bad – its just that amateur productions tend to be a little different – the actors wander amongst the audience beforehand practising their lines), so I decided to immediately book my tickets.
Since I really can’t decide what works or art to include in my post, and what works not to, I have decided to split this post (though this is something that I seem to do quite regularly when it comes to a lot of these posts on the various exhibitions that I have been to). Anyway, in the previous post we had been following the evolution of art up to the 1920s, but now we move further on, to another style, with one artist we may all be familiar with – Salvador Dali.